Catherine Ardagh-Walter
Catherine Ardagh-Walter was born in Winchester, Hampshire and commenced 'cello studies at the age of seven. After studying with Eileen Croxford, Philip de Groote and Amaryllis Fleming, she graduated from the Royal College of Music in 1989 with the Performers' Diploma and major prizes and went on to perform throughout England as a duo-recitalist with the pianist, Emily Jeffrey. Performances included a series of recitals at St. Martin-in-the-Fields, Trafalgar Square, live broadcasts on Classic FM and a debut recital at the Purcell Room. Catherine took up her post as 'cellist with the City of Birmingham Symphony Orchestra in 1995 and in addition to her work with the orchestra she has a busy schedule of teaching and Chamber Music Performing. She is a cello tutor at Birmingham Conservatoire, and has appeared with the Birmingham Ensemble and Birmingham Contemporary Music Group. She regularly plays as part of the CBSO's 'Centrestage' Chamber series and has enjoyed working with artists such as Akiko Suwanai, Paul Lewis, Truls Mork, Peter Donohoe, Christian Tetzlaff and Baibe Skride. Catherine has two small boys who keep her laughing and plays on an Italian cello made in 1560 by Gaspar da Salo.

Robin Michael
Robin Michael studied at the Royal Academy of Music with David Strange and Colin Carr and later with Ferenc Rados. He is principal cellist in Orchestre Revolutionnaire et Romantique, Solo cellist with Orchestre Les Siecles (Paris) as well as regular guest principal cellist with the Australian Chamber Orchestra, Scottish Chamber Orchestra, BBC National Orchestra of Wales, Royal Northern Sinfonia, Irish Chamber Orchestra, Britten Sinfonia, RTE Concert Orchestra, English Baroque Soloists, English National Opera and Orchestra of the Age of Enlightenment. Robin was the cellist in the Fidelio trio for over 10 years with whom he toured Europe, North America, Asia and South Africa. He has also appeared in collaboration with the Dante and Eroica quartets. Highlights in his discography include the premier recording of Joe Cutler's cello concerto with the BBC CO (NMC), first recording of the original version of Mendelssohn's Octet on period instruments (Resonus) and Fidelio trio recordings on Naxos, NMC, Métier and Delphian records. Recent concert highlights include complete Bach and Britten suite cycles in France and London, the South Korean premier of Jonathan Harvey's 'Advaya' for cello and electronics, both Haydn concertos at the Spier festival in South Africa as well as festival appearances in Buenos Aires, Library of Congress, Washington, and European festivals including Cheltenham, Aldeburgh and St. Magnus. Forthcoming projects include a recording of the Brahms sonatas with Daniel Tong for Resonus Classics to be released in spring 2017, a Bach suite cycle at the St. Magnus festival, Britten Suite cycle at festival 'Phil Grobi' in the Auvergne and the first Kinnordy Chamber music festival in Scotland where he is co-artistic director with Daniel Tong. Robin plays on a cello made for him by the German luthier Stephan von Behr, 2010.